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August 27, 2013

Sony Officailly Announces E-Mount ILC-A3000 DSLR Style Camera, Nex-5T, Lenses, and More…

sony-ilc-a3000-kit

Sony finally announced their new gear after weeks of rumors and speculation! Two new digital cameras as well as three new E-Mount lenses plus a new soft carry case designed for NEX cameras. The new cameras are the Alpha A3000 DSLR Camera and the Alpha NEX-5T Mirrorless Digital Camera. The lenses are the new Vario-Tessar T* E-mount 16-70mm f/4 ZA OSS lens, the E-mount PZ 18-105 f/4 G OSS lens, and the E-mount 50mm f/1.8 Mid-Range Prime lens, which is a black version of a lens that already exists in silver finish.

Sony ILC-A3000 DSLR Style Camera


As it turns out, the entry-level ILC-A3000 is designed for E-Mount lenses and is priced at only $398 US. This makes sense to me, because we have enough E-Mount lenses to justify another camera option like this for those who want this style camera. Plus, most of the lenses have OSS, so the cost can be kept really low for this camera body not having in camera stabilization, and it will be very light weight. Very smart move in my opinion for beginners looking for a very small DSLR with killer Sony image quality and a solid affordable lens E-Mount Lens line-up. Will see if it actually sells to the masses though ;)The 18-55mm kit lens is included!

Sony ILC-A3000 Camera Body Photos

sony-ilc-a3000-kitilc-3000-sensor ilc-A3000-right Sony-ilc-A3000-sensor ilc-A3000-left ilc-A3000-back top ilc-A3000-bottom ilc-A3000-see-thru

Sony ILC-A3000 Features

20.1MP Exmor APS HD CMOS Sensor and BIONZ Image Processor
The 20.1MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ image processor work together to produce high resolution, well-detailed imagery with minimal noise and notable low-light quality and sensitivity from ISO 100-16000. The adaptive noise reduction technology is the same that is used in Sony’s flagship DSLR, which works to intelligently reduce noise at higher sensitivities. The processor also contributes to providing a wealth of speed throughout the camera system, including quick autofocus in live view, top full-resolution continuous shooting rate of 3.5 fps, and full HD 1080i/p video recording in multiple frame rates.

Lightweight Design and SLR Form-Factor
A large, ergonomic grip is integrated into the compact overall form-factor of the body, giving an appearance that resembles a traditional SLR but with a smaller, lighter weight design reminiscent of mirrorless cameras. This added grip works to increase shooting and carrying stability and security. The design of the A3000 also incorporates both a 3.0″ 230.4k-dot rear LCD monitor and a Tru-Finder electronic eye-level viewfinder. The 0.5″ EVF features a QVGA resolution and 100% frame coverage in addition to serving as a third point of contact between yourself and the camera for greater shooting stability. Additionally, a Multi Interface accessory shoe is available for attaching an external flash, microphone, or other accessories. A Multi Terminal is available, too, for using an optional remote control.

Full HD Video Recording
Full HD 1080i/p video recording is supported at both 60 and 24 fps frame rates to produce high resolution movies with a smooth, cinematic look. Videos are recorded using the high-quality AVCHD codec and a built-in stereo microphone records sound in the Dolby Digital AC-3 format. Additionally, 1440 x 1080p and 640 x 480p at 30 fps formats are also supported in the Internet-friendly MP4 format.

Sony 18-55mm f/3.5-5.6 Standard Zoom Lens
The included 18-55mm f/3.5-5.6 Standard Zoom Lens provides a 35mm-equivalent focal length range of 27-82.5mm, covering wide-angle to portrait-length perspectives to suit shooting in a wide variety of situations. It features Optical SteadyShot image stabilization to help minimize the appearance of camera shake by up to four shutter speed steps to greatly benefit working in low-light conditions and with greater zoom magnifications. Three aspherical elements are integrated into the optical construction to help reduce chromatic aberrations as well as increase clarity and contrast and an internal focusing mechanism works to provide smooth, responsive AF that pairs well with HD video recording.

Other Camera Features
Auto Object Framing is an intelligent shooting mode that can automatically analyze the scene and subjects within it and determine an aesthetically-pleasing composition. The subsequent imagery will be cropped according to subject matter, resulting in a well-balanced composition that utilizes Face Detection and Tracking Focus to ensure high image quality and sharpness.
Auto HDR mode will automatically record a bracketed range of exposures of the same scene in order to capture greater highlight and shadow detail than a single exposure can record. These multiple exposures will then be composited into a single file that exhibits an extended dynamic range.
Face Detection/Registration technology can detect and register up to eight individual faces and adjust the focus, exposure, white balance, and flash settings in order to deliver optimal image settings for pictures of people. Children or adults can be prioritized within this mode.
Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Mono, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Mono, and Miniature modes are available.
Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
Creative Style settings provide control over how the camera processes images based on six different predetermined styles: Standard, Vivid, Portrait, Landscape, Sunset, and B&W. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.
Sweep Panorama technology allows you to automatically capture wide, expansive panoramic images, up to 202°, by simply panning about the scene. Images can be made in either vertical or horizontal orientation and the camera will intelligently stitch together the consecutive images into one file up to 23MP in size.
Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
The Photo Creativity Touch Interface provides a wealth of controls for modifying the look of imagery in-camera. Changes can be made using the intuitive control dial and results are seen in real time on the LCD monitor. Background Defocus, Brightness, Color, Vividness, and most Picture Effects can be manipulated in this manner.
The Sony E-mount affords compatibility with an extensive number of lenses and lens adapters.
Convenient USB charging allows you to charge the included lithium-ion battery in-camera via USB connection from either an AC outlet or PC source.
The Stamina battery power allows up to approximately 470 shots to be taken on a single charge. The InfoLITHIUM batteries also enable you to see the remaining percentage of battery power left.
TRILUMINOS Color support is afforded by the A3000 to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.

Sony ILC-A3000 Specs:

Lens Mount Sony E-mount
Sensor Type Exmor APS HD CMOS sensor
Sensor Size 23.5 x 15.6mm (APS-C)
Processor BIONZ image processor
Anti-Dust Coating Charge protection coating on Optical Low-Pass Filter
Actual Pixels 20.4MP
Effective Pixels 20.1MP
Focal Length
Conversion Factor
1.5x
Color Filter System RGB primary color filters
Media Type Memory Stick PRO Duo, Pro-HG Duo, SD, SDHC, SDXC Memory Cards
Color Space Stills: sRGB, AdobeRGB
Movie: xvYCC standard compatible with TRILUMINOS Color
Still Image Mode JPEG (Standard, Fine), RAW+JPEG
Still Image Size 3:2 – (20 MP) 5456 x 3632, (10 MP) 3872 x 2576, (5 MP) 2736 x 1824
16:9 – (17 MP) 5456 x 3064, (12 MP) 3872 x 2176, (4.2 MP) 2736 x 1824
Panorama Still Image Size Horizontal Wide: 12416 x 1856 (23M)
Horizontal Std.: 8192 x 1856 (15M)
Vertical Wide: 2160 x 5536 (12M)
Vertical Std.: 2160 x 3872 (8.4M)
Video Mode AVCHD / MP4 (MPEG-4 AVC (H.264))
Video Resolution AVCHD:
FX – 1920 x 1080/60i@24Mbps
FH – 1920 x 1080/60i@17Mbps
FX – 1920 x 1080/24p@24Mbps
FH – 1920 x 1080/24p@17Mbps
MP4:
HD – 1440 x 1080/ 30p@12Mbps
VGA – 640 x 480/ 30p@3Mbps
Video Signal NTSC color, EIA standards
Audio Format Dolby Digital (AC-3) / MPEG-4 AAC-LC
Microphone/Speaker Built-in Stereo Microphone/ Built-in monaural speaker
Still Image File Format JPEG (DCF Ver. 2.0, Exif Ver.2.3, MPF Baseline compliant), RAW
(Sony ARW 2.3 format)
Viewfinder Type 1/2-inch (1.3 cm) color electronic viewfinder
Diopter Adjustment -4.0 m-1 ~ +3.5 m-1 (diopter)
Field of View 100%
Magnification 0.7x with 50mm lens at infinity, -1 m-1 (diopter)
LCD Type 3.0” (7.5 cm) TFT LCD (230,400 dots)
Coverage 100%
Focus System Contrast-detect AF
Focus Points 25 points (contrast-detection AF)
AF Modes Single-shot AF(AF-S), Continuous AF(AF-C), Auto Focus, Direct Manual Focus (DMF), Manual
Focus Area Multi Point (25 points)/ Center-weighted/ Flexible Spot
Focus Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with f/2.8 lens attached)
AF Illuminator Yes (with built-in LED type)
Exposure Metering 1,200-zone evaluative metering
Metering Modes Multi-segment, Center-weighted, Spot
Metering Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with f/2.8 lens
Exposure Compensation Still images: +/-3.0 EV(1/3EV steps selectable)
Movies: +/-2.0 EV(1/3EV steps selectable)
Exposure Settings iAUTO, Superior Auto, Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Sweep Panorama, Scene Selection
Color Temperature 2500 – 9900K with 15-step each Magenta/Green compensation (G7 to M7), Amber/Blue (A7 to B7), Custom
Exposure Bracketing 3 continuous or single shots in 1/3 or 2/3 EV steps
ISO Stills: ISO 100-16000 selectable in 1 EV steps, Auto (100-3200)
Movies: ISO 100-3200 selectable in 1 EV steps, Auto (200-3200)
White Balance Mode Auto, Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash, Color, temperature range 2500 to 9900K, Custom
Burst Buffer JPEG Standard (30 shots); JPEG Fine (13 shots); RAW+JPEG (5 shots)
Continuous Shooting Speed Continuous mode: 2.5 fps, Speed Priority Continuous mode: 3.5 fps
Drive Mode Single-shot, Continuous, Speed Priority Continuous, Bracketing
Self-Timer 10- or 2-sec. delay; Continuous w/ 10-sec. delay, 3 or 5 exposures
Shutter Speeds 1/4000 to 30 seconds, bulb
Shutter Type Electronically controlled, vertical-traverse, focal-plane shutter
Flash Type Built-in, Pop-up Auto
Guide Number 13.1′ (4 m) at ISO100
Flash Metering System Pre-flash TTL
Flash Modes Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync.
Flash Compensation +/-2.0 EV (switchable between 1/3 EV steps)
Flash Coverage 16mm
Flash Bracketing +/-2.0 EV
Recycling Time Approx. 3 sec.
Accessory Shoe Yes, via Multi Interface Shoe
HDMI Terminal HDMI (Type C mini)
Memory Card Slot Dual compatibility slot
NFC Yes (NFC Forum Type 3 Tag compatible)
PhotoTV HD Yes, with BRAVIA Sync enabled HDTV and HDMI cable
Tripod Mount Yes, 1/4″-20
USB Port USB 2.0 Hi-speed (mass-storage, MTP)
Wi-Fi Yes
Dimensions 4.0 x 2.3 x 1.5″ (101.6 x 58.1 x 38.3mm)
Weight (body only) 7.8 oz (222 g)
 

Sony ILC-A3000 Sample Photos and Early Reviews/ Impressions

 

Sony Nex-5T Mirrorless ILC Camera

Sony_Alpha_NEX-5T-body-onlyThe Sony Nex-5T looks like it’s only a minor upgraded Nex-5r? Not sure why Sony came out with this camera as it seems to contradict the strategy of only coming out with significantly upgraded and or advanced improvements?? The NFC I guess made it worth the upgrade in Sony’s mind, or they did some changes inside to justify discontinuing the Nex-5r. That makes sense I guess, but still seems odd to me honestly.

Key Features:

  • 16.1MP APS-C Exmor APS HD CMOS Sensor
  • BIONZ Image Processor
  • 3.0″ 921.6k-Dot Tilting Touchscreen LCD
  • Full HD 1080i/p Video at 60 or 24 fps
  • Fast Hybrid AF
  • Built-In Wi-Fi and NFC Connectivity
  • Continuous Shooting Rate of 10 fps
  • ISO 100-25600
  • Auto Object Framing and Auto HDR Modes
  • Picture Effect Mode and Sweep Panorama
 

Sony Nex-5T Specs:

Lens Mount Sony E-mount
Sensor Type Exmor APS HD CMOS sensor
Sensor Size 23.5 X 15.6mm (APS-C)
Processor BIONZ image processor
Actual Pixels 16.1MP
Effective Pixels 16.1MP
Focal Length Conversion Factor 1.5x
Color Filter System RGB primary color filters
Media Type Memory Stick PRO Duo, Pro-HG Duo, SD, SDHC, SDXC Memory Cards
Color Space Stills: sRGB, AdobeRGB
Movie: xvYCC standard compatible with TRILUMINOS Color
Still Image Mode JPEG (Standard, Fine), RAW+JPEG
Still Image Size 3:2 – L: 4912 x 3264 (16MP), M: 3568 x 2368 (8.4MP) , S: 2448 x 1624
(4MP)
16:9 – L: 4912 x 2760 (7.1MP), M:3568 x 2000(7.1MP), S: 2448 x 1376
(3.4MP)
Panorama Still Image Size Horizontal Wide: 12416 x 1856 (23M)
Horizontal Std.: 8192 x 1856 (15M)
Vertical Wide: 2160 x 5536 (12M)
Vertical Std.: 2160 x 3872 (8.4M)
Video Mode AVCHD / MP4 (MPEG-4 AVC (H.264))
Video Resolution AVCHD:
PS – 1920 x 1080/ 60p @ 28Mbps
FX – 1920 x 1080/ 60i @ 24Mbps
FH – 1920 x 1080/ 60i @ 17Mbps
FX – 1920 x 1080/ 24p @ 24Mbps
FH – 1920 x 1080/ 24p @ 17Mbps
MP4:
HD: 1440 x 1080/30p @12Mbps
VGA – 640 x 480/ 30p @ 3Mbps
Video Signal NTSC color, EIA standards
Audio Format Dolby Digital (AC-3) / MPEG-4 AAC-LC
Microphone/Speaker Built-in Stereo Microphone/ Built-in monaural speaker; volume settings in 8 steps
Still Image File Format JPEG (DCF Ver. 2.0, Exif Ver.2.3, MPF Baseline compliant), RAW (Sony ARW 2.3 format)
LCD Type 3.0” (7.5 cm) Touchscreen TFT LCD (921,600 dots)
Angle Adjustment Tilt angle: Up: 180°; Down: Approx. 50°
Brightness Control Auto, Manual (5 steps between -2 to +2)
Coverage 100%
Focus System Fast Hybrid AF (phase-detection AF/contrast-detection AF)
Focus Points 99 points (phase-detection AF), 25 points (contrast-detection AF)
AF Modes Single-shot AF(AF-S), Continuous AF(AF-C), Autofocus, Direct Manual Focus (DMF), Manual Focus
Focus Area Multi Point AF (99 points for phase-detection AF, 25 points for contrast-detection AF), Center-weighted, Flexible, Spot
Focus Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with f/2.8 lens attached)
AF Illuminator Yes (with built-in LED type)
Exposure Metering Advanced 1200-zone evaluative metering
Metering Modes Multi-segment, Center-weighted, Spot
Metering Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with f/2.8 lens attached)
Exposure Compensation Still images: +/-3.0 EV(1/3EV steps selectable)
Movies: +/-2.0 EV(1/3EV steps selectable)
Exposure Settings iAUTO, Superior Auto, Programmed AE(P), Aperture Priority (A), Shutter Speed (S), Manual (M), Sweep Panorama, Scene Selection
Color Temperature 2500 – 9900K with 15-step each Magenta/Green compensation (G7 to M7), Amber/Blue (A7 to B7), Custom
Exposure Bracketing 3 continuous or single shots in 1/3 or 2/3 EV steps
ISO Stills: ISO 100-25600 selectable in 1 EV steps, Auto (100-3200)
Movies: ISO 100-6400 selectable in 1 EV steps, Auto (100-3200)
White Balance Mode Auto, Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash, Color, temperature range 2500 to 9900K, Custom
Burst Buffer JPEG Standard (11 shots), JPEG Fine (11 shots), RAW (10 shots), RAW+JPEG (9 shots)
Continuous Shooting Speed Speed Priority Continuous mode: 10 fps
Drive Mode Single-shot, Continuous, Speed Priority Continuous, Bracketing
Self-Timer 10- or 2-sec. delay; Continuous w/ 10-sec. delay, 3 or 5 exposures
Shutter Speeds Still images: 1/4000 to 30 seconds, Bulb; Movies: 1/4000 to 1/4 (1/3 steps), Up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
Shutter Type Electronically controlled, vertical-traverse, focal-plane shutter
Guide Number 23′ (7 m) at ISO100
Flash Metering System Pre-flash TTL
Flash Modes Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable)
Flash Compensation +/-2.0 EV (switchable between 1/3 EV steps)
Flash Coverage 16mm
Flash Bracketing +/-2.0 EV
Recycling Time Approx. 4 sec.
Accessory Shoe Smart Accessory Terminal2
Wi-Fi Yes
 

Sony Nex-5T – Sample Ph0tos and Early Reviews/ Impressions

 

Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS lens

Sony E-Mount 16-70mm f/4 OSS LensNext we have the new Zeiss 16-70mm f/4 OSS lens. This is awesome and I want one!! It is slower than ideal at f/4, but you know how big and heavy it would need to be for f/2.8. This design is ultra compact and super high quality optics. Plus the sensor is so large on the Sony Nex cameras you can still get nice separation at f/4 if your close to your subject. If you want really fast glass, the best way to go is old school manual focus lenses and adapters. Check out this article for more details on that >>

 

Zeiss 16-70mm f/4 OSS lens Official Overview

The Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens is a mid-range zoom lens that provides a 35mm-equivalent focal length range of 24-105mm, covering wide-angle to short telephoto perspectives. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps.

  • The optical construction incorporates four aspherical elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity.
  • Mid-range zoom lens provides a 35mm-equivalent focal length range of 24-105mm, covering wide-angle to short telephoto perspectives.
  • Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths.
  • Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications.
  • Four aspherical elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor.
  • Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting.
  • Metal lens barrel increases durability and adds a refined aesthetic appearance.

Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS lens Specs

Mount E-mount
Focal Length APS-C: 16-70mm (35mm equivalent: 24-105mm)
Aperture Range f/4-22
Minimum Focus Distance 1.2′ (35 cm)
Magnification 0.23x
Lens Groups/Elements 12/16
Aspheric Elements 4
Filter Diameter 55mm
Dimensions 2.6 x 3.0″ (66.6 x 75mm)
Weight 10.9 oz (308 g)
 

Sony E-mount PZ 18-105 f/4 G OSS lens

Sony E-Mount 18-105 f/4 OSS LensThe E-mount PZ 18-105mm f/4 G OSS lens is the first Sony G lens made for the E-mount camera systems. The G lens series brings with it a tradition of quality that in the case of this 18-105mm includes two ED glass elements and three aspherical elements for reduced distortion and aberrations and high resolution and contrast throughout the zoom range. A circular aperture design enables pleasing out-of-focus areas within the frame.

 

Sony E-mount PZ 18-105 f/4 G OSS lens Specs

Mount E-mount
Focal Length APS-C: 18-105mm (35mm equivalent: 27-158mm)
Aperture Range f/4-22
Minimum Focus Distance 1.5′ (45 cm) (W); 3.1′ (95 cm) (T)
Magnification 0.11x
Aspheric Elements 3
ED Elements 2
Filter Diameter 72mm
Dimensions 3.1 x 4.3″ (78 x 110mm)
Weight 1.1 lb (482 g)
 

Sony E-Mount 50mm f/1.8 OSS Lens (Black)

Sony E-Mount 50mm f/1.8 OSS Lens - sel50f18The E-mount 50mm f/1.8 OSS lens is being introduced as a new color for an existing lens. This model has a black finish but the same specs as its silver version. My review of the sel50f18 lens is Click Here >>

The sel50f18 has a 35mm equivalent focal length of 75mm, ideal for portraiture but certainly capable of shooting in varied situations. This bright f/1.8 aperture is very effective in low light and is able to create shallow depth of field, which is, again, ideal for portraiture but also for still life and numerous other applications. Optical Image Stabilization increases its ability to be blur free when shooting in low light, and its stepping motor means that autofocus operation is smooth and quiet.  It also provides Direct Manual Focus for precise manual focus even in AF mode.

 

New Sony Soft Case

sony-nex-soft-caseLastly, Sony has announced a new, black Soft Carry Case that is made to fit snugly on all NEX cameras—and expand if you add longer lenses. The case attaches to the camera via a thumb screw, remaining around the camera while you shoot, which helps to maintain a comfortable grip as well as protect the camera. A simple snap opens to allow shooting, and a strap hook makes it easy to remove the case to change the battery or media card. A pocket is also provided to store memory cards.

 

Closing Remarks:

Well the ILC-A300o sounds interesting and is incredible affordable with a kit lens included! The best image quality for the money out there is pretty much?

The Nex-5T looks like a wasted upgrade from the Nex-5r unless I’m missing something?

I will get my hands on all this stuff as soon as possible! In the meantime, check out the Samsung NX300 Review (Click Here), as I just added the High ISO Test Photos and the 60mm macro lens test shots. I also added more commentary on the actual camera performance. I should finish that review up in the next day or so, and then the Sony DSC-RX100 II will go up with lots of sample photos for you to see. I took a ton already, but have not loaded them on my Mac yet. I got my Mac back by the way and it’s running faster than ever. I also have the 32mm f/1.8 Touit lens mounted to my Nex-6 and I have taken sample photos here and there over the past two weeks. I have a pretty solid collection of real world photography, so that review should go up and be done fast as well. Please stay tuned and thanks for your continued support!

Jay

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Thanks,
Jay

 


About the Author

Jay
Hello, I'm the owner and operator of SonyAlphaLab.com. Please check out the About page for a full background on myself and the Lab ;) Google+ | Twitter | RSS-feed | Email Updates!!




6 Comments


  1. I am pretty sure the a3000 is $398 with the body and the lens included..


    • Jay

      You are absolutly correct! Totally read over that, sorry everybody but I did not think for that price this was possible 😉

      Thanks Rishio for the needed correction!

      Jay


  2. Shamael

    I have been awaiting a new NEX system built around that amazing 20 mpix system, a new NEX-7 style with all one needs, EVF, focus peaking, in some way a Pana GX7 with this 20 mpix sensor. What I was not expecting, for nothing in the world, was to see that crappy low level thing come first. Now, we keep on waiting, and waiting, and waiting………
    So, A3000 now, A3200 next, A 5000 follows, then A5100, after that A7000, then A7100, or what? Am I guessing something, or am I missing it?


    • Jay

      Hi Shamael,

      Yeah, it looks that way, but remember this is a low-end line not meant for us. I don’t think I high end version of this will come out, as the Nex-7 and Nex-6 sort of cover that. This seems like a super affordable option for the beginner only. Turns out image quality should be top notch, so some pro’s looking for a budget body are looking at it.

      Perhaps this might be a good option for those looking specifically to use old school lenses and lens adapters? the extra weight of those lenses in comparison to the native e-mount’s might make this style camera body a good option. Imagine if you have all Nikon gear and want to try using the focus peaking and manual lenses, but don’t want to commit to the Nex-6 or nex-7 price tag/ viewfinder. This could be a killer option for that market Know? Heavy lenses might be better on this style body is my point I guess, but who knows what Sony is really thinking behind the scenes.

      Thanks again for the comments and thoughts on the new camera line Shamael,

      Jay


      • Shamael

        There is no doubt that we will see something better coming soon (I hope). Sony has so many ideas with next sensor generations. I gave this sensor a trial when the A58 came out. I was seriously interested in that camera, but when I saw that the tilt and flip screen was not there, I forgot it. I hate sweat and fat on the screen while I look through the EVF, and I do it at 100%, I never use the life view, except when objects are at floor level, for sure. The 20 mpix chip is an amazing chip, much better than the 16, better low light ability too. Now, I still have a D40 as low end camera, makes huge shots, but I would like to replace it by a similar small toy, maybe this d3000, who knows, at the price they sell it, but, I wait for the body only, I have enough lenses for it yet. On the other side, I want to quit Nikon systems totally, only keep my Fuji S5 with the better glass.


  3. Shamael

    rectify the Ziess 16-70 in the text, Jay



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