Review
In this Sony 55-210mm E-Mount Lens Review, I will go over it all!! The 55-210mm F4.5-6.3 Lens (sel55210) is one of the most fun lenses I’ve used on any of the Nex cameras to date. In this Sony Lens review I had the pleasure of using the Sony Nex-5n for a camera body and it certainly did the job well if you ask me. For starters the 55-210mm pics up right where the 18-55mm kit lens lets off, making this lens the perfect complement for any Nex kit lens owner. In addition to that the actual focal length, when taking into account the sensor crop factor, is 82-315mm. This is an incredible zoom range making this lens extremely versatile and a solid value for the dollar at only $349.99 US. Sony really does do a good job when they actually release lenses
Speaking of that, this lens is still on back order as I’m writing this, but should be In Stock very soon according to my BHPhoto guy.
Official Features from Sony
An ideal complement to the 18-55mm zoom range of the SEL1855, this 3.8x zoom lens takes you from 55mm out to 210mm with consistently outstanding optical performance all the way. Built-in Optical SteadyShot (OSS) image stabilization is a huge advantage when shooting at longer focal lengths or in low light, making it easy to capture crisp, stable images at up to four shutter speeds lower than would normally be possible.
Wide Zoom Range
The SEL55210 provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting.
ED glass elements
Two ED (Extra-low Dispersion) glass elements helps suppress chromatic aberration and color bleeding at all focal lengths providing excellent image quality throughout the zoom range.
Optical SteadyShotTM Image stabilization
Optical SteadyShotTM image stabilization makes it easier to achieve crisp, stable images and video in low-light or when zooming in on distant subjects.
Quiet Internal Focusing
Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture.
Full Specifications
Optics/Lens
- Aperture (Max.) : f/4.5 – 6.3
- Aperture (Min.) : f/22 – 32
- Filter Diameter : 49mm
- Lens Groups-Elements : 9 groups, 13 elements (2 aspheric surfaces)
- Minimum Focus Distance : 3.2ft (1m)
- Aspheric Elements : 2 aspheric surfaces
- AF for Movie Capture : Yes
- Aperture Blade : 7 blades (Circular aperture)
- Dimensions (Max. Diameter x Length) : 2-1/2 x 2-1/4″ (63.8 x108mm)
- Exterior Finish : Metal
- Focal Length (35mm equivalent) : 82.5mm-315mm
- Internal Motor : Yes (Stepping motor)
- Lens Weight : 12.1 oz (345g)
- Mount Material : Metal
In the Box
- Front Lens Cap
- Rear Lens Cap
- Lens Hood
Build Quality:
The build quality of the Sony 55-210mm lens is very good as I expected based on the 18-55mm kit lens review I did a few months ago. It’s pretty much a duplicate of that lens only much longer and with a nice rubbery zoom and focus ring. The zoom and focus are silky smooth just like the 18-55mm kit lens, but are easier to use do to the larger size and nice rubber hand grips. I’m really glad they decided to add the rubber as it feels a lot nicer on the hands when working with the lens. It also is not so freezing cold when touching with bare hands to zoom in the winter!
The E-mount 55-210mm lens is solid as a rock when mounted to the Nex-5n, and I pretty much hold the camera by the lens when moving it around and stuff as it’s just easier that way for me. One thing that would be nice for a lens this size on such a small camera body would be a tri-pod collar mount. Similar to the A-mount 70-200mm for example. Now, I know this lens really isn’t that heavy, but in relation to the tiny Nex cameras it is. What I’m getting at here is that when mounted on a tri-pod the stress being put on the camera tri-pod mount itself seems like a bit much in my opinion. I also think the 18-200mm lens could use a tripod collar mount for the same reason! Also, by moving the tri-pod mount point more towards the center of gravity of the camera and lens, it would balance better and shake less when zooming.
Check out the Sony 55-210mm E-Mount Lens below!
Be sure to Click the images for the 100% Versions!!
Here’s the Sony 55-21-mm f/4.5-6.3 OSS lens mounted to the Sony Nex-5n:
One aspect in particular about higher focal length lenses that I love, is the ability to very easily separate your subjects from the background which intern creates magnificent Bokeh’s in the process as you will see below. This is excellent for Portraits and creating depth in your images. It almost gives your image a 3d look if your not used to seeing it first hand through the camera. 210mm is more than enough reach for most photography and even some tele-photo type work can be done. I took several different shots showing the range of lens and I think you will very impressed as I was at the results.
Lets start with some standard test type shots and then will move on to some real world photos as that’s probably what you will be shooting in one way shape or form!
Test Sample Photos:
Be sure to Click the photos for the full 100% crisp view!!
Killer Bokeh at 210mm as I said above separating the subject (shovel handle) from the background.
Here’s the same scene from the same exact spot wide open at 55mm so you can see how much the 55-210mm range actually is.
Here’s a few more test shots with 100% crops of a flower on my deck using f/6.3 and f/9 @ 210mm taken in Jpeg mode fine quality max resolution.
This next set of test shots was taken from one of the cool views we have up here in NY Catskills area. It’s also great for all the detail in the distance to judge the lens on!! See below as I shot the same seen all using f/8, but changing the focal distance from 55mm, to 90mm, to 210mm. The 100% crops are of the farm in the center area which is pretty obvious, but not so obvious is the other 100% crop taken from the top right corner of each frame.
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 90mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 90mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 90mm, f/8, 1/250sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 210mm, f/8, 1/400sec, ISO 125, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 210mm, f/8, 1/400sec, ISO 125, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 210mm, f/8, 1/400sec, ISO 125, Handheld, Jpeg Mode
SEL55210 Real World Sample Photos:
Now for some real world sample photos!! Lets start off with my buddy Chubs who was hanging out on the deck in the afternoon overcast light soft light.
This next shot although pretty awful due to terrible lighting, angle, etc.. was taken at 1/20th of a second handheld at 79mm!! I got a bit lucky for sure, but the OSS (optical Steady Shot) clearly works very well.
In this next set of photos I was just taking some snapshots of friends and family from a birthday party. Nothing really special photography wise, but the Sony 55-210mm E-Mount lens performs quite well on the Nex-5n in a variety of lighting conditions.
In this next set I found a really nice water tower that offered several continuous rows of large nuts, bolts, and ladders to exploit
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/4.5, 1/1000sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 210mm, f/6.3, 1/640sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/4.5, 1/400sec, ISO 100, Handheld, Jpeg Mode
- Sony Nex-5n w/ 55-210mm F4.5-6.3 Lens @ 55mm, f/11, 1/100sec, ISO 125, Handheld, Jpeg Mode
Professional Photography Sample Images:
You may wonder if the Nex system and/or lenses are capable of dong professional work, and the answer is very simply put YES! Now depending on which Nex model your using, you will obviously have more power and control than the others. For example; you can use studio lights with the Nex-7, but not with the Nex-5n or Nex-C3. However with the right light and some diffusers you can get killer results like these sample shots below I took for my reviews. I normally use my Canon 5d mark II for this kind of work, but as you will see the Sony Nex-5n and the E-Mount 55-210mm f/4.5-6.3 Lens are more than capable of producing stellar results in my opinion.
SEL55210 Sample HD Video:
Be sure to select the 720p HD video option in the player options. It looks like a little gear on my Mac with Mozilla Firefox.
Conclusion:
One thing I always seem to end up saying to myself when I review a Sony lens is, “Dam this lens is sharp”. Well, I said that again when using the Sony 55-210mm lens and say the 100% version in Lightroom of Chubs. As frustrating as it may be how slow Sony is, when it comes to releasing new lenses, it’s very re-assuring for me to know they have excellent quality control in mind, and they clearly don’t release a lens until it has been put through it’s passes. Now, mind you that is just my opinion, but I’ve reviewed at least 25 lenses or so by now, and the Sony lenses are by far the most consistent as far as overall quality goes. All of the Nex E-Mount lenses I’ve tested so far have been at least a 4 star rating, and I wish I could say the same for Canon, or Tamron. Some of their lenses are strait up crap in my opinion which is yet another reason I’m so impressed with the Sony line as a whole and decided to start this website in the first place.
Moving on to Sony 55-210mm f/4.5-6.3 lens specifically, it’s very good all around, and it’s an incredible value for the dollar at Only $350 US!! The extra large focal range also extends your photography opportunities and allows for significantly creativity by manipulating depth of field, separating subjects from the backgrounds, and being able to shoot the same seen at a huge variety of focal lengths. Again, for the money it’s one of if not the best bang for the buck E-Mount lens available!! Assuming you by a Nex body with the 18-55mm kit lens though, otherwise that lens would be the best bang for the buck.
The 55-210mm works excellent for Portraits and the Optical Steady Shots works very well as you saw above. It also performs very well when recording video, although it’s hard to hold steady hand held and zoom. A tri-pod is really a better bet for serious work, but for family stuff and fun it’s excellent. It worked perfect for that footage of Layla eating the cupcake, although shaky, and the lighting was poor to boot.
In the end I would highly recommend this lens to anybody that has a Nex camera system. The proof is in the pudding and by all of the sample photos I included above I’m confident you will come to the same conclusion. Unfortunately the 55-210mm it’s still on back-order, but BHPhoto is expecting a shipment very soon I was told.
If your interested in more info on E-Mount lenses be sure to check my Full E-Mount Lens Guide for quick links to reviews, sample photos, and all the E-Mount lenses available today! It’s also regularly updated with additional links etc.. I would also recommend checking out the 16mm wide angle lens review and the 18-55mm kit lens review I did a while back. The next Hands on review will probably be the 30mm f/3.5 Macro lens just to give you a heads up
Thanks for reading and please feel free to ask questions and comment away!!
Jay
Price: ~$349.99
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Thanks,
Jay













































How about a comparison to the 18-200?
I sent the 18-200mm back already Pete, but I can tell you for certain that the 55-210mm is sharper! It’s not a all-in-one solution though like the 18-200mm
Best,
Jay
Jay,
Nice write-up, and I quite agree with our assessment of the 55-210. I’ve had one for a couple of months now, and have been using it quite a bit on a 5N. Recently bought a Sony 18-200, thinking I would end up selling my 55-210. Long story short, I returned the 18-200. Maybe it was the copy I had, but the corners on the long end were awful. No comparison to the performance of the 55-210, in my admittedly limited experience. So I’m keeping the 55-210. Along with the 18-55 kit lens and the 5N body, I have a very nice and light weight travel kit.
BTW, it is possible to use studio lights with the 5N. I use a Seagull slave trigger that has a built-in delay, which gets past the pre-flash which can’t be turned off. The slave triggers are cheap. I use the little add-on Sony flash to trigger the slave unit – I just use a piece of card stock to deflect the on-board flash away from the subject. Not ideal, but it works well.
Hey Scott,
Thanks for the comments, info, and sharing your experience!
That really is a good lightweight kit, but you still need a wide angles to finish it off;) I’m testing them now so stay tuned for some New articles!!
I actually used the nex-C3 in the studio a few weeks ago as you did with my alien bee b800′s. They can trip off the flash as well. Awesome work around and I’m working on a detailed video tutorial on how to do it for those curious with off camera strobes!!
Thanks again,
Jay
Hi Jay!
I wonder if you have any news about the availability of this lense. I’m travelling to the US in a couple of weeks and I would like to purchase it. I just browse the sony online store and other sites such as best buy and none of this sites have availability.
Thanks
Armando
Thanks for the comments and question Armando,
I’m sorry, but they are just in ridiculous high demand. I called BHPhotoVideo.com and Amazon, and they said a shipment is coming in shortly. But, your best bet is to pre-order if you want one then your on the list for when the shipment comes in. Still not sure if you will get it in time for your trip though.
Other wise you might check Ebay?
Good Luck,
Jay
Hi Jay,
I was wondering if you could help me!
I am looking at either the 55-210mm or 18-200mm for sports photography? How come the 210 seems sharper with f4.5-6.6?
Many Thanks
Dan
Hey Dan,
Happy to help!! It’s a no brainier for me on this choice as I would get the 55-210mm in a second over the 18-200mm. The 18-200mm as good as is it, is an All-In_one lens. It just can’t compete with a 55-210mm lens when it comes to the engineering complications etc.. The 18-200mm has 15 elements and the 55-210mm has 13 elements, so that is less glass for the light to go through. That could account for the slight sharpness advantage. It’s possible I didn’t have the sharpnessed copy as well though.
The 55-210mm has many more advantages over the 18-200mm for sports in my opinion. It has more reach at a 35mm equivalent of 315mm vs 300mm, it’s about 1/3rd less weight, costs less than half the price, and doesn’t have the UN-needed focal length of 18-55mm for sports. Most of the time, depending on the sport, you will be on the long end of the lens.
What sport do you plan on shooting? inside or outside? What lenses you you already have?
If it’s inside you may want to consider a faster prime for lower light shooting. You can crop later in post processing to create your composition. Inside high school gym’s for example is really dark in the photography world, and you really need fast glass to get the shutter speed fast enough to freeze the action. Or, you can use a flash and blind the kids like some photographers love to do
I hope this helps!
Jay
Brilliant ! Thanks so much Jay!
I wish I had come here sooner, all these lenses are very confusing.
I have no lenses at the moment, as I am looking to buy the Sony Nex 5n with the 18-55mm (and now the 55-210mm) which will be for holiday snaps and athletics shots (sometimes in a stadium, sometimes out on fields or even at night).
I understand the camera with these lenses won’t be top professional quality, but hope they will still be good enough? as it is long distance running.
Thanks once again!
Dan, you should be fine for that type of sport with good light. High speed stuff would be much harder for both lighting and focusing. If you ever want to get “More Serious” for lack of a better phrase
You could always invest in the LA-EA2 and then purchase a faster zoom or prime, and have the Phase detection Autofocus which is much faster and better for sports. The Nex Camera system is really versatile in that way
Best,
Jay
I have a 55-210mm lens possibly one of the best lens out there for the NEX range at this current time.
Here are some pictures more taken with it
http://www.flickr.com/photos/78332325@N04/
Thanks for the comments Adam and sharing the photos
Jay
Hi Jay,
At the moment i have the 18-55 lens for my NEX-5. Mainly the only thing i shoot is gigs in small cramped pubs.
The pubs i shoot at are really typically dull old English pubs.
Lighting is a pain, what I’m hoping to achieve is to shoot without flash as it lights up all the shit in the background and washes all the atmosphere from the photo.
it is clear that i need a new lens as this one just isn’t faster enough to cope with the low light situations. My shutter speed needs to be at minimum 1/100th and at the moment aperture is as low as it goes at f/3.5.
Do you think this lens will be ok for me?
Thanks a lot
Harry
Hi Harry,
Really great question and the answer is no it will not. This lens will actually make things worse for you as the maximum aperture is f/4.5. The higher the # aperture the physically smaller the actually aperture eye is. Check out this Article on Aperture when you get a minute!!
I highly recommend looking at the 50mm f/1.8 Prime Lens!! You need a faster aperture lens in order to bring down the shutter speed and f/1.8 is fast!! The kit lens and the 55-210mm lens are both relatively slow lenses in that department as the kit lens is f/3.5 and the 55-210mm is f/4.5.
The Zeiss 24mm f/1.8 and the Sony 50mm f/1.8 are the way to go as it give you a much faster shutter, better separation with your images, and most importantly a lower ISO!!
The other options which look great I might add, are the Sigma 19mm f/2.8 and 30mm f/2.8. They are not as fast as the f/1.8 lenses, but they are faster then the kit lens and might fit your focal length requirements better.
The only issue with the prime lenses is you need to zoom manually with your feet
I actually have the Nex-5n coming in Today I believe, so I can try out the Sony 50mm f/1.8 and both Sigma Lenses for you very shortly. Probably in the next day or 2.
I hope this helps Harry,
Jay
Thank you Jay
Sorry for the late reply Jubilee has had me rushed off my feet!
Anyway i have to say, that must be one of the most helpful answers i have had.
Was very unsure about the speed of that lens but thats definitely cleared things up!
I will be looking into the lenses you have suggested as of now.
These are some of the photos i took with the 18-55 but all my gig photography is on here as well if your interested.
http://www.facebook.com/media/set/?set=a.377165205680789.91270.377101742353802&type=1
Thanks again
Harry
Hi Harry,
No problem at all and I’m really glad I was able to help you out
Thanks for sharing your photos as well, Looks like tuff shooting conditions for sure!!
Best,
Jay
I’ve read mixed reviews on the two Sony lenses (18-55mm and 55-210mm). Seems like the latter will suit my needs for landscape photography. However, I would like a fast lens for macro and low light. What would you suggest to add to the 55-210mm lens which would round out my field kit? (macro for flowers, insects, lizards; mid-range for mammals, etc. Fast for fast
Your review and the comments have been helpful. Thanks.
Hello and thanks for your comments and kind words!!
The 55-210mm lens is fantastic for the money. I’m not sure who or why it would be reviewed badly unless the lens was faulty, because for the money it’s a great piece of glass in my opinion!!
For low light work I would recommend the Sony 50mm f/1.8 OSS Lens as it’s the sharpest, fastest lens available with OSS!! Great for super low light work, but not so good for Macro. The Sigma 30mm f/2.8 is also really sharp and affordable, but it doesn’t have OSS and the focus transitions are not as smooth if your into video at all. Otherwise a very solid performer.
Honestly the E-Mount 30mm Macro is the best bang for the buck besides getting a lens adapter and heading to the A-Mount style lenses. It’s not the fastest though at f/3.5, but really does do a good job all around. I have my hands on review for the 30mm Macro about 90% done, but I just need a few more sample pics. Stay tuned for it though in the next few days!!
I hope this helps you out,
Jay
Really close macro work would be a small % of what I do in the field. Get too close to any wildlife (except vegetation) and they run away (lizards are fast!). Might be more economical to go with an adapter (such as the Raynox DCR-150 or -250) for the macro work.
Searching around, the 50mm seems to be highly favored, and more versatile, than the 30mm.
Now all I need to find is a good timer/remote!
Thanks again.
Here’s a few remotes. The Vello’s are reasonable priced, but I never used them personally.
http://sonyalphalab.com/sony-accessory-guides/remotes-and-cables/
Best,
Jay
thanks for this great review, i bought this lens and i hope it will do its job fine
I’m confident you will love it Waldomarek
Thanks for the comments!!
Jay
your reviews are amazing, it has pretty much everything that i wanted to know about all of the e-mount lenses!
i was considering to buy a 18-200mm instead of the 55-210mm because i always thought it was umconfortable to carry around two considerably big lenses to cover a wider zoom range, and with the first, i’d only have to carry just one enourmous lens. but after viewing you reviews i’m considering the 55-210mm, but not exactly to pair with the 18-55, but maybe with the sigma’s 19mm. i just don’t like very much the 18-55, just because now i have the amazing 50mm to compare with.
anyway, since i travel a lot and i take a lot of “tourist pictures” (family in front of something touristy, like a monument, museum…), i think those two lens might be good choices to carry around through the hole day. the 55-210mm because of the zoom, wich is nice and sometimes needed, and the 19mm (or maybe the 30mm? is it sharper?) to eventually shoot a wider-angled scene. what do you suggest?
(if it helps, i only have the 50mm and the kit lens)
Hello Betina,
Thank you so much for the kind remarks, I really appreciate them as I try my best
As for your question? The 19mm Sigma and the 55-210mm being a good match for the whole day? Absolutely!! Downside is the Sigma does not have OSS, but you really don’t need it for your purposes. The 30mm Sigma is about the same sharpness all around as the 19mm. The 30mm is just not wide enough for those tall tourist sites
I personally don’t mind the kit lens as I find it sharp and the OSS is great, but the 50mm is so much better for a lot of reasons. Prime lenses will almost always be sharper, have better contrast and less glare etc.. Lens lens elements for the light to go through means less optical dispersion etc..
I personally like wide angles, but don’t use them much for people these days. I tend to move the people away from the “monument” and have it in the background smaller so I can use a higher focal length. This allows for slight separation and creates a more Portrait like photo in my opinion. That being said, you yank those people out of the scene and I want to be right up on it with an ultra wide angle!! I have the Sigma 10-20mm Canon EF mount lens that I’m chomping at the bit to use again on the Sony NEX-6!!

The New Sony E-Mount Wide Angle looks nice but is big Money!! If you want Top Quality the Zeiss 24mm is the way to go, but before that I would consider lens adapters and older full manual quality lenses! That is the route I plan to go, but will require more work using manual focus etc.. Focus peaking makes it pretty easy on the Nex though!
I hope this helps and please feel free to ask more questions if you have them. I also am on the New Sony Alpha Forum everyday if you want to ask questions over there on other topics etc..
Jay
thank you, Jay! they both seem great, the 19mm sigma and the 55-210mm, in matters of size and quality, and togheter they are even cheaper than the 18-200 alone. but i gotta say, after a week looking around, i think i’ll go with the 18-200 because it’s more practical, i believe i wouldn’t like to change lenses very often. i’d waste some time, and maybe some good shots. i know it heavier and some of the quality is lost, but it still produces some pretty good pictures, after all.
anyway, how big it’s the difference between the 18-200 tamron model and the latest sony model with the OSS? does it worth the $ diference?
sorry about the all the 169634216 questions but i won’t be able to hold the lens myself at the store and look it with my own eyes, because my father is the one who’s going to buy them when he goes to the US, so i wanna have all the info i can… (:
Betina,
I think your on the right track for what your wants and need are
As far as the OSS is concerned, it’s pretty much the same between the Tamron 18-200mm Lens and the New Smaller Sony 18-200mm Lens(SEL18200LE) I recently reviewed Here >> The Original Sony 18-200mm Lens (SEL18200) is much larger and heavier, but has slightly better optics smoother OSS in my opinion.
No worries about the questions, please feel free to ask away!! It may take me a few days to reply sometimes, but I enjoy the Q&A
Best,
Jay
ok, so i’ll bother you some more! (:
i guess i’ll go with the new sony, after all, i’m a small (and weak) person, and i have small hands so i guess a smaller and lighter camera at the end of the day will suit me better. your reviews were incredibly helpful in many ways, i’m sure i’ll come back here. thanks!
Betina,
You conclusion makes perfect sense to me
My goal here was to provide you with the info you needed so you could make the best choice for your particular needs. Sounds to me like your getting exactly what you want and need for your practical use of the camera gear!!
Besides, you can always sell lenses and get most of your money back. Camera bodies are another story, because they come out with new models and technology so fast they lose value much quicker than lenses.
Be sure to subscribe by entering your email address in the little window (Top Right)
That will send you an email automatically when I add a new article or review!!
Best,
Jay
Hi – thanks for your reviews. I read through Betina’s comments as I am a casual photographer who uses my NEX on auto setting and I would like a zoom lens. I purchased the camera with the 18-55 lens. I see that the 18 – 200 is very practical as it’s “all in one” but the price is a bit shocking! Why is it more than 2x the price of the 55 – 210? Is there a good market for a used 18 – 55 so I could recoup some of my cost?
Thanks!
Daphne
Hi Daphne,
Thanks for the comments!! The 55-210mm lens is a lot less costly to manufacture and has less lens elements inside (13 vs 17) 55mm vs 18mm on the wide end also makes a huge difference in the lenses overall size. You can get about $1-200 on Ebay it looks like for the 18-55mm kit lens.
If you don’t want to change lenses the the 18-200mm is the way to go, but the best part of the Nex camera system is the ability to change lenses!! Therefore I recommend keeping the 18-55mm lens and purchasing the 55-210mm lens and seeing how you like the combo. You can then rent the very expensive 18-200mm or try it at the local dealer as see if it’s worth the money to you.
I hope that helps!!
Jay
Hi jay, I am a typical “soccer mom”. I have 3 boys who love sports. I own a nex 5 and I have the standard kit that went with it when I bought it. I am quite happy with it. I actually just aim and shoot…your typical tourist camera ignorant photographer! But I do need a new lens for my nex 5 because I can’t get good shots from the football field sidelines. I am, thinking of buying the E mount 55-210mm. Would you say this will fit my need and total lack of photography knowledge?
Hello Beatriz,
Thanks for the excellent question!! I would have recommended this exact lens to you, so I think you know a little more about photography than your giving yourself credit for
Jay
Hi Jay,
I loved the way everything was explained in this post and learned a lot. I hold a NEX C3 with 18-55mm standard lens. My passion is landscapes since I travel a lot while sometimes posing my girlfriend in front of the scene. While always using 18-55mm I feel like not getting those crisp images with sharp colors. Was wondering if I need a wide angel lens to make that happen of is it because of the camera quality I am not getting crisps images? It will be of great help if you can get me some idea on which lens to use to get sharp landscapes?
Nams..
Hello Nams,
Depending on what your goal is, the 18-55mm lens should yeild you pretty solid results. If you want a sharper wide angle lens, the Sigma 19mm f/2.8 lens is a good way to go for the money!! It’s a prime lens though with no zoom. You have to walk to zoom
As far as camera settings go, to get a nice sharp shot your going to want to use f/8 or higher for a Landscape image. If your girlfriend is in the scene and you want her and the background sharp, you may have to go even higher on the aperture depending on how far you are from your girlfriend when taking the image. If your at 15mm for example and your model is only a tiny part if the overal frame, f/8 should be fine. if your at 55mm and your model is taking up 1.4 of the scene?? you will need f/16 at leaset to have the background sharp also most likely. Check out this article on Aperture if your curious to learn more >>
I hope that helps!
Jay
Thanks Jay,
That was very helpful.
What is understood is to get sharp landscapes you need to have DOF to infinite and it depends on higher aperture which needs to be adjusted with shutter speed for light compensation. [higher aperture vs. lower shutter speed and shake]. For NEX, A mode we can set it to highest while shutter speed gets adjusted automatically.
w.r.t above theory, wide angle lens has got less aperture than say a telephoto lens. While wide angel can take better landscapes than telephoto lens? I know that this question might be too bogus but just that am confused.
what is the difference:
SEL16F28 – aperture F/2.8 to F/22 AND SEL 20mm F/2.8 to F/16 ? Is is that the 16F28 gets better landscape since its apreture range is 2.8 to 22?
Also my budjet is around 350$ and i can either go for 5510 or yet to be released wide angle 20mm f 2.8 sony one. or may be sigma one you mentioned for lesser value.
Thanks for your help mate, much appreciate it.
CHeers!
No problem!! Yes depth of field is important as it relates to landscapes photography. And yes in theory f/22 would be better than f/16 for the purpose of depth of field. In the real world however, this is not really an issue in my opinion given the difference in focal lengths. f/16 is the highest I like to use anyway as digital photography is susceptible to diffraction. Basically, the angle that the light is aimed at the sensor will actually decrease sharpness the higher the aperture. This begins around f/8 on mos APS-C sized sensor cameras. This was not an issue in the film days as far as I can tell, but could be wrong. The focal length and distance to your subject/ focal point will effect the depth of field more so than the aperture a lot of the time. I like to exploit the individual lenses characteristics when applicable, in order to get the best results with each lens/ camera combination. Smaller sensor cameras are harder to get separation than full frame cameras as well!!
I hope all this helps as the topic gets confusing when you start to go deep and look at the math on the matter
If your looking for the sharpest “landscape lens” for the money, the Sigma 19mm is the way to go. If that is not wide enough, than the 16mm is the way to go for wide angle landscape photography. That is not to say you can’t use the 20mm or 35mm for landscapes though. Even the 55-210mm can be good for some landscapes when zooming in creates a much better composition. I often use zoom at waterfalls, mountain ranges, ect.. It really depends on the composition you have to work with and what photo your trying to create.
Here is another article I highly recommend you should check out!! It goes over the differences in lenses and the why
Which is the best portrait lens??
Jay
Hi again Jay ,
Firstly thanks for your reviews . I have a question in my mind . When i bought my first car it has 150 hp . After 6 month i start to think about a car which has 200 hp ! so i am thinking now , if i bought 55-210 mm lens , after in a few month will i want 18-200 mm or not ? 55-210 will be enough for me long time ? i am not sure about that . maybe such compare is not true for photography but i just try explain what’s going on in my mind for this decision .
if you will share your opinion with me i will glad that.
Thanks
Harun
Hello Huran and great question!!
In my opinion the 18-200mm lens is not something you would want over the 55-210mm lens. The 18-200mm is an all-in-one, and the 55-210mm is a mid tele-photo. So in theory it should be better than an all in one. A Prime being the next best thing. So, if you get into photography hardcore and want to upgrade gear?? If that is the case I would recommend the prime e-mount lenses first, fallowed by Zeiss 24mm prime. Beyond that you can head to the A-Mount lens line and get some serious optical quality!!!
Wanted the All-in-One would be more of a convince thing. So if you ended up liking photography, but dis-like changing lenses, you may want the 18-200mm at some point in the future. It will not give you better optical quality though. Awesome power, convenience, and quality for an all-in-one lens package however.
I would recommend trying the 55-210mm lens first. You can always sell it and get 85% of your money back and then put it towards the much more expensive 18-200mm lens if you want. If not, your probably going to want to get a prime lens next to get even better quality results!!
I hope that helps you out one way or another
Jay
Hello Jay!
I just recently bought a Nex6 with the kit lens and I am thinking of getting this as my second lens. I would really appreciate if you could suggest which lenses to buy first for a nex camera. I am doing photography as a hobby because I travel a lot in line of my job. Thinking of opening a travel blog soon. Thanks Jay! All the best.
PS. Your reviews are just amazing. Makes me wanna buy all of them!
Hello Verity,
I would suggest this lens next! I’m going to buy this lens for myself as soon as I have a few more dollars saved up;) After that, I would recommend looking it prime E-Mount lenses such as the 50mm f/1.8 OSS Lens or the 35mm I just reviewed Click Here>>
Beyond that I would wait to see how your photography wants and needs progress. Perhaps the 30mm Macro if you want to see the smaller world??
I hope this helps and thank you very much for the kind remarks
Jay
Hi Jay!
I am so happy I found your reviews. Your reviews are so detailed I’m leaning more just from your reviews. I just bought the nex 7 and there are so many lens option that it is becoming so confusing. I’m an amateur here and am just really interested in taking family photos as a hobby and starting to learn it. My main purpose with the camera was for taking pics of my 3 yr old and family events. However now My brother’s wedding is coming up with a tight budget and everyone in the family will be taking pictures with their camera and I want to provide them with the best picture quality possible with no knowledge whatsoever. I currently own the standard 18/55mm len that comes with the camera for my everyday life and the 50mm len for portraits that my normally use in a lower lighting environment. But I can not figure out which one to go with, between the 55/210 mm lens or the 18/200 (original version) lens. For my needs, which one would you advise on investing?
Hi Cindy,
Thanks for the kind words about the reviews!! As far as your situation goes, I think the all in one is your best option for a Wedding and zero experience. The zoom will make it much easier for you to get the shots you want assuming the light is reasonable good. The zoom convenience is huge when your pressed for time and have to get the shot, like at the wedding ceremony ect. OSS is also great with that SEL18200 lens! I would say go for the 55-210mm, but you may get stuck in a situation where you need wider and changing the lens is not an option.
The 50mm f/1.8 is going to be the way to go for the killer portraits and/or candid shots during the reception. At f/1.8 your camera will be able to use a much lower ISO and therefore have much better quality!! Use aperture priority mode to keep the lens @ f/1.8, and the shutter speed will automatically adjust. Auto ISO will do the job for you if you don’t want to mess with that.
I hope that helps you out with your investments!!
Jay
Hi Jay,
I am considering getting a new camera and currently I’m looking at the Sony NEX-5R, which is bundled with the E-mount 16-50mm F3.5-5.6 Lens and E-mount 55-210mm F4.5-6.3 Lens. I know this is less relevant as the article is about the 55-210mm lens, but if it’s ok I’d like to ask about the 16-50mm lens?
I’ve seen some reviews around about the 16-50mm lens and they seem to criticize it for the compromised quality, but I’m aware that it’s a lot more compact and some reviews have said it isn’t far off from the 18-55mm standard lens? So is the 16-50mm lens really that bad?
Currently quite confused, as I’m still new with photography (and hoping to get my new camera in time for my holiday trips in June!
). Hope to get a reply soon, and thanks in advance.
Hello Jianing, and thanks so much for the great question on the SEL1650!! It’s fine to ask here by the way, as I never officially reviewed the 16-50mm lens anyway. The 55-210mm seems to be one of the most popular E-Mount lenses, and for good reason if you ask me
I still don’t own the 55-210mm lens believe it or not, but it’s on the list of wants!!
The Nex-5r is a great choice for an ILC (interchangeable lens camera), no question. My Review of the Nex-5r is (Click Here), if you didn’t find it yet!! It doesn’t have the built in EVF like my Nex-6, but image quality is the same. The 180 degree flip screen is a great feature though which I wish my Nex-6 had!
So, is the 16-50mm really that bad? No, it’s not really that bad, but there are better lenses on the market optically. It’s a great all around lens when considering the compactness, power zoom capabilities which is killer for video, light weight, oss, and overall relatively low cost @ ~$348 US. It’s not as good optically as the 18-55mm kit lens though in my opinion. Therefore it is a compromise to some degree one way or another depending on your personal needs.
If you new to photography, you will not notice the difference in optical quality most likely, but the advantages of the 16-50mm powerzoom lens will be apparent. It has a significantly wider 16mm and as you said, and it’s very compact. Where the lens is weak, is in the corners as far as sharpness goes when using the lens wide at 16mm, and lens distortion is also pretty bad. Optically the 18-55mm is a better performer in my opinion, but feature and compactness wise, the 16-50mm is a better lens. So, for my purposes as a photographer looking for the best image quality possible I chose the 18-55mm over the 16-50mm and sold it. Personal preference as I also prefer manually zooming coming from that with all my other lenses ect..
In my opinion, being new to photography and all, you will be very happy with the 16-50mm kit lens. It really is a good place to start and it’s more compact which it seems like your leaning towards. You can always sell it on Ebay, or on the forum, if you decide to replace it, or add more lenses to your Photographic arsenal at a later date
The 55-210mm would be a good place to start, fallowed by some prime lenses for maximum optical quality and fast apertures, depending on your needs. Perhaps a Macro lens will peak your interest, or Portraits might be more up your alley, Time will tell, so I would wait and see what you think of the 16-50mm. Once you max that lenses potential out, you will most likely want another lens.
I hope that helps you out somewhat, and have a great day,
Jay