Review

In this Sony Alpha A7r review I will go over everything you need to know using a real world photography and perspective, plus lab testing and comparisons with the 24mp Sony A7. I also included a 30+ minute Sony A7R video review if you don’t feel like reading 😉

Sony Alpha A7r W/ sel55f18z

Sony Alpha A7r W/ sel55f18z

The Sony Alpha A7r sets a new standard in full frame mirrorless image quality and it’s the best Sony camera I’ve reviewed to date!

Sony A7r gapless on chip lens design Featuring a new 36mp sensor with a gapless on chip lens design which insures the most amount of light gets to each pixel as efficiently and accurately as possible. Even the corners are angled inwards in relation to the center on a per pixel bases as you can see in the illustration from Sony below.This Sony A7r also has no anti aliasing filter in front of the sensor which gives the images extra fine details. I reality the lack of low pass filter in front of the sensor does make a slight difference, although the extra 12mp of resolution makes more of an impact with fine details in my opinion.

a7r-rear-buttons
 

Tons more information including sample photos and detailed conclusions below the Sony A7r video review, but I recommend checking that out first.

 

Sony A7r HD Video Review

Be sure to select the HD Quality once the video starts playing. It’s on the lower right hand side and looks like a gear. The images will look much sharper. Comments, feedback, and questions are always appreciated so please don’t hesitate…

Sony A7r for $2298 @ BHPhoto (Click Here)


 

Quality Optics

A quality lens is required to get the most out of this 36mp sensor, and Sony introduced some of the best full frame lenses ever tested by DXOMark including the 55mm f/1.8 lens, 35mm f/2.8 Zeiss lens, and Zeiss 24-70mm f/4 OSS Zoom lens.

For this Sony A7r review I will be using the 55mm f/1.8 lens as you can see below. I will also be using the Metabones III lens adapter and various Canon EF L lenses to check versatility and image quality at other focal lengths using top quality optics. The Canon EF 24-105mm f/4 L IS lens and the EF 17-40mm f/4 L lens are the two I used to be specific. They are very high quality lenses and should be able to handle the 36mp resolution that the A7r offers. I also wanted to compare the A7 and A7r using the same lens, and without having both cameras at the same time, I felt the 24-105nn was the best option.

 Sony Sonnar T* FE 55mm f/1.8 ZA Lens  - sel55f18z

Sony Sonnar T* FE 55mm f/1.8 ZA Lens – sel55f18z

 

The Sony A7r body looks identical to the A7 in appearance, but actually contains a lot more metal. This results in a more rigid design for heavier lenses according to Sony and it weighs in at 407 grams which is actually 9 grams lighter than the A7 (416 grams)

Clearly the A7r has the advantage in build quality if you factor in all the extra magnesium and slight weight advantage. Take a look below at the internal chassis and partial camera body differences between the two below:

Sony A7R Magnesium Chassis

Sony A7R Magnesium Chassis

Sony A7 Magnesium Chassis

Sony A7 Magnesium Chassis

 

Full manual controls, including an exposure comp dial and tons of customizable buttons insure you can set the A7r exactly how you want it.

From this top view you can see a control wheel just above the shutter button and on/off switch. By default that controls the Aperture in manual mode. The control wheel on the back that your thumb would use is the shutter speed in manual mode. You can see that wheel sticking out directly below the word on and it’s just above the thumb grip.

Sony-a7r-top-manual-controlsThe control ring on the back of the camera with the DISP button on top and WB on the right side also rotates clockwise and counter clockwise which is ISO when using manual mode. The function button acts as a shortcut to the most used settings on the camera and is completely customizable. You can also program the C1, C2 and C3, to whatever you want. In addition to that, you can switch the control wheels around any way you wish. I’m working on another article/ video which will go into detail on how to use the A7r in manual mode and customize it, so stay tuned for that!

sony-a7r-back-lcd-tiltA beefy well designed grip provides plenty of leverage and has a nice ergonomic feel to it. The memory card is also located in the grip and has a door just below the red video record button. The battery goes in on the bottom of the grip just like the Nex-6. Wi-Fi and NFC is also built in to the A7r and apps are available to expand your creativity and the camera capabilities. The remote control app is the one I use the most, but I also wrote an article on the best apps available from the PlayMemories Portal if you want more info (Click Here)

Sony A7rThe Menu button and C2 button are not in the best physical location along the top above the LCD screen ridge in my opinion and are slightly awkward to press. Other than that I’ve really come to love the ergonomics of the A7r/ A7 camera body.

a7r-back-buttons

 

I did a lot of A7 vs Nex-6 comparisons in the detailed Sony Alpha A7 Review (Click Here), So, I’m going to compare the A7 vs the A7r in this review and show you tons of real world sample photos using various lenses. The 17-40mm f/4 L in particular was of personal interest to myself and I think you will like the photos I captured with that lens. I also really enjoyed using the Zeiss 55mm f/1.8 lens. The quality is incredible corner to corner, and even at f/1.8 the images are very sharp.

 

Full Specs and Features Breakdown

Sony Alpha A7r Specifications

Lens Compatibility Sony E-mount Full Frame, operation with Minolta/Konica Minolta Maxxum A-mount lenses confirmed via optional LA-EA3/LA-EA4 adaptor
Lens Mount Sony E-mount Full Frame
Camera Type Interchangeable Lens Digital SLR camera
Sensor Imaging Sensor: Exmor CMOS sensor (35.8 X 24.0mm)
Processor: BIONZ X image processor
Anti Dust: Charge protection coating on optical filter and ultrasonic vibration mechanism
Pixel Gross: 36.8M pixels (approx.)
Effective Picture Resolution: 36.4M pixels (approx.)
Color Filter System: RGB primary color filters
Media Type Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo, SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant)
Color Space sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color
Movie: xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS color
Still Image Mode RAW, RAW JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard
Still Image Max Effective Resolution 36.4 Megapixels
Still Image Size 16:9 L: 7360 x 4144 (30M), M: 4800 x 2704 (13M), S: 3680 x 2072 (7.6M)
APS-C: L: 4800 x 3200 (15M), M: 3680 x 2456 (9.0M), S: 2400 x 1600 (3.8M)
Still Image Size 3:2 35mm full frame: L: 7360 x 4912 (36M), M: 4800 x 3200 (15M), S: 3680 x 2456 (9.0M)
APS-C: L: 4800 x 3200 (15M), M: 3680 x 2456 (9.0M), S: 2400 x 1600 (3.8M)
Panorama Still Image Size Horizontal Wide: 12,416 x 1,856 (23M)
Horizontal Std.: 8,192 x 1,856 (15M)
Vertical Wide: 2,160 x 5,536 (12M)
Vertical Std.: 2,160 x 3,872 (8.4M)
Video Mode AVCHD / MP4 (MPEG-4 AVC (H.264))
Video Resolution AVCHD AVCHD:
PS – 1920 x 1080/60p@28Mbps
FX – 1920 x 1080/60i@24Mbps
FH – 1920 x 1080/60i@17Mbps
FX – 1920 x 1080/24p@24Mbps
FH – 1920 x 1080/24p@17Mbps
Video Resolution MP4 HD – 1440 x 1080/ 30p@12Mbps
VGA – 640 x 480/ 30p@3Mbps
Video Signal NTSC color, EIA standards
Audio Format Dolby Digital (AC-3) / MPEG-4 AAC-LC
Microphone/Speaker Built-in stereo microphone or ECM-CG50 / XLR-K1M (sold separately)/
Built-in monaural speaker; volume settings in 8 steps between 0 and 7
Still Image File Format JPEG (DCF Ver. 2.0, Exif Ver.2.3, MPF Baseline compliant), RAW (Sony ARW 2.3 format)
Lens Mount: Sony E-mount Full Frame
Digital Zoom: Yes, approx. 4x
Direct Manual Focus: Yes
Exterior Finish: Black
EV Compensation: +/-5.0 EV (in 1/3 EV or 1/2 EV steps), with exposure compensation dial:
+/-3.0 EV (in 1/3 EV step
Viewfinder Type: 1/2-inch (1.3 cm) color electronic viewfinder
Diopter Adjustment: -4.0 m-1 ~ +3.5 m-1 (diopter)
Field of View: 100%
Magnification: Approx. 0.7x with 50 mm lens at infinity, -1 m-1 (diopter)
LCD Type 3.0″ (7.5cm) TFT LCD (921,600 dots) with tiltable design
Brightness Control Manual (5 steps between -2 to +2), Sunny Weather mode
Coverage 100%
Live View Continuous Live View
Real-time image adjustment display Yes (On/Off)
Histogram Yes (On/off)
Peaking Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow)
Grid Display Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge / Shooting information for viewfinder mode
Customization Grid, Histogram display, Digital Level Gauge, Grid Line, Magnified display for playback
Focus System Contrast-detection AF
Focus Points 25 points (contrast-detection AF)
AF Modes Single-shot AF (AF-S), Continuous AF (AF-C), Direct Manual Focus (DMF), Manual Focus
Focus Area Multi Point (25 points) / Center-weighted / Flexible Spot (S/M/L) / Zone
Focus Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with F2.8 lens attached)
Manual Focus Assist 35mm full frame: 7.2x, 14.4x
APS-C: 4.7x, 9.4x
Focus Features Lock-on AF, Eye AF, Focus lock, Eye-start AF (only available with optional LA-EA2 or LA-EA4
attached), AF illuminator (built-in, LED type, range: Approx. 0.30-3m), AF micro adjustment, AF ON
AF Illuminator Yes (with built-in LED type)
Picture Effect(s) 13 modes: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, Illustration
Auto Exposure Lock Available with AE lock button. Locked when shutter button is pressed halfway. Can be disabled from the Menu
Color Temperature 2500-9900K with 15-step each Magenta/Green compensation (G7 to M7), Amber/Blue (A7 to B7), Custom
Creative Style Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps)
D-Range Optimizer Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range: Auto Exposure Difference, Exposure Difference Level (1.0-6.0 EV, 1.0 EV step)
Exposure Compensation +/-5.0 EV (in 1/3 EV or 1/2 EV steps), with exposure compensation dial: +/-3.0 EV (in 1/3 EV steps)
Exposure Settings AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Scene Selection, Sweep Panorama, Movie
ISO Still images: ISO 100-25600 (ISO numbers up from ISO 50 can be set as expanded ISO range),
AUTO (ISO 100-6400, selectable lower limit and upper limit)
Movies: ISO 200-25600 equivalent, AUTO (ISO 200-6400 equivalent)
Metering Advanced 1200-zone evaluative metering
Metering Modes Multi-segment, Center-weighted, Spot
Metering Sensitivity EV 0 to 20 EV (at ISO100 equivalent, with F2.8 lens attached)
Noise Reduction Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/ Low/Off selectable
Scene Mode(s) Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, Anti Motion Blur
White Balance Mode Auto WB / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash / Color Temperature (2500 to 9900K) Color Filter (G7 to M7: 15 steps, A7 to B7: 15 steps) / Custom / Underwater
Continuous Shooting Speed Continuous shooting: Max. 2.5fps,
Speed Priority Continuous shooting: Max. 5.0fps
Drive Mode Single shooting, Continuous shooting, Speed Priority Continuous shooting, Self-timer (10/2 sec delay selectable), Self-timer (Cont.) (10 sec. delay; 3/5 exposures selectable), Bracketing (Cont., Single, White Balance, DRO)
Self-timer 2-sec. or 10-sec. delay
Shutter Speeds 1/8000 to 30 seconds, bulb
Shutter Type Electronically-controlled, vertical-traverse, focal-plane shutter
Flash Bracketing With optional external flash: 1/3, 1/2, 2/3, 1, 2, 3 EV steps, 3/5 frames (1.0/2.0/3.0 EV: only 3 frames) selectable
Flash Compensation With optional external flash: ±3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash Coverage 16 mm (focal length printed on lens body)
Flash Metering System Pre-flash TTL
Flash Modes With optional external flash: Flash off, Auto flash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Flash Type Optional external flash
Convenience Features Self Timer
Red-Eye Reduction
Erase/Protect
Media/Battery
Media/Battery Indicator
Power Save Mode
Video Playback Options: Forward/Rewind (Movie)
Multiple Language Display
Advanced Features Face Detection: On, Off, Face Registration, Face Selection; maximum eight faces detected
Smile Shutter technology: Smile shutter (selectable from 3 steps)
Image Stabilization
Intelligent Auto
Superior Auto
Anti Motion Blur
Auto High Dynamic Range
Priority Setting (for Face Detection)
Shooting Tips
Sweep Panorama
Interface Headphone Jack
Microphone Input
Remote Commander via optional RM-VPR1
Accessory Shoe
PictBridge Compatible
A/V Remote Terminal via Multi Terminal interface
BRAVIA® Sync Yes, via HDMI® with compatible BRAVIA HDTV (link menu)
DC IN via optional AC-PW20AM (sold separately)
HD Output HDMI® Type D micro connector
NFC
PhotoTV HD Yes, with BRAVIA Sync enabled HDTV and HDMI® cable
Tripod Mount
USB 2.0
Dimensions (Approx.) Approx. 5 × 3-3/4 × 1-15/16″ (126.9 x 94.4 x 48.2 mm) (W/H/D) excluding protrusions
Weight (Approx.) With battery and Memory Stick PRO Duo Approx. 1 lb. 0.7 oz. (474 g)
Weight(Approx) (Main unit only) Approx. 14.7 oz. (416 g)
Battery Type InfoLITHIUM® NP-FW50 (7.2V)
Battery Capacity 1080 mAh
Number of Still Images Approx. 340 images with LCD monitor (CIPA standard)
Power Requirements One rechargeable battery pack (NP-FW50)

Sony Alpha A7r Features Breakdown

Full Frame Compact Mirrorless Digital Camera
The Sony Alpha a7R incorporates a full frame 35.9 x 24 mm sensor into the compact, lightweight form of the E-mount mirrorless cameras providing the imaging prowess of full frame and the convenience and versatility of mirrorless.

36.4MP Exmor CMOS Sensor with No Optical Low Pass Filter
The 36.4MP resolution and outstanding performance of the Alpha a7R are optimized by removing the optical low-pass filter. In combination with the new BIONZ X image processing engine this design increases resolution and enhances the reproduction of the finest details. In addition, the sensor includes a new gapless lens design that fills the space between neighboring pixels to significantly increase light collecting efficiency and realize high corner-to-corner image quality. Differing from the Sony Alpha a7, the Alpha a7R with its omitted low-pass filter, gapless lens design sensor and contrast-detection AF provides the utmost in high-resolution, finely detailed capture. With 36.4 effective megapixels, the Exmor CMOS sensor captures high-resolution, low-noise images with rich tonal gradation and low-light sensitivity. The normal ISO range on the Alpha a7R is 100-25600.

Gapless, On-chip Sensor Lenses
Sony optimized the design and positioning of the sensor’s on-chip lens (OCL) covering every pixel to significantly enhance light-gathering efficiency. A gapless on-chip lens design eliminates the gaps between the micro-lenses to collect more light. Moreover, each on-chip lens is optimally positioned depending on its location to accommodate the sharper angle of light entering the periphery, which is caused by larger sensor dimensions being teamed with the E-mount’s short flange-back distance.

BIONZ X Image Processor
The new BIONZ X image processing engine reproduces textures and details in real time via extra high-speed processing capabilities. Together with front-end LSI (large scale integration) that accelerates the earliest processing stages, it enables more natural details, more realistic images, richer tonal gradations, and lower noise whether you shoot still images or movies.

Fast Intelligent AF
The high-speed image processing engine and improved algorithms combine with optimized image sensor read-out speed to achieve high-speed AF despite the use of a full-frame sensor.

Compatibility with Sony’s E-mount Lenses and New Full-Frame Lenses
Maintaining its lightweight form, the Alpha a7R is fully compatible with Sony’s present APS-C E-mount lens system and the new line of E-mount compact full-frame lenses from Carl Zeiss and Sony’s premier G-series.

3.0″ Tilt LCD Monitor
The tiltable 3.0″ Xtra Fine LCD Display offers a 1,229K-dot resolution and makes it easy to photograph from low or high angles, swinging up 84° and down 45°. WhiteMagic technology dramatically increases visibility in bright daylight. The large display delivers brilliant-quality still images and movies while enabling easy focusing operation.

2.4M-Dot OLED Electronic Viewfinder
With its 3-lens optical system the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You’ll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a wide viewing angle enable comfortable and stable eye-level composition.

Full HD Movie at 24p/60i/60p with Uncompressed HDMI Output
The Alpha a7R supports in-camera AVCHD codec frames rates in super-smooth 60p, standard 60i or cinematic 24p. MP4 codec is also available for smaller files for easier upload to the web. Also, it is possible to capture Full 1080 HD uncompressed clean-screen video files to external recording devices via an HDMI connection in 60p and 60i frame-rates.

Built-In Wi-Fi and NFC
Connectivity with smartphones for One-touch sharing/One-touch remote has been simplified with Wi-Fi/NFC control. In addition to Wi-Fi support for connecting to smartphones, the Alpha a7R also supports NFC (Near Field Communication) providing convenient transfer of images to Android smartphones and tablets. Users need only touch devices to connect; no complex set-up is required. Moreover, when using Smart Remote Control – a feature that allows shutter release to be controlled by a smartphone – connection to the smartphone can be established by simply touching compatible devices.

Direct Access Interface
Quick Navi Pro displays all major shooting options on the LCD screen so you can rapidly confirm settings and make adjustments without searching through dedicated menus. When shooting opportunities arise, you’ll be able to respond swiftly with just the right settings.

New Eye AF Control
Even when capturing a subject partially turned away from the camera with a shallow depth of field, the face will be sharply focused thanks to extremely accurate eye detection that can prioritize a single pupil. A green frame appears over the prioritized eye when focus has been achieved for easy confirmation. Eye AF can be used when the function is assigned to a customizable button, allowing users to instantly activate it depending on the scene.

14-Bit RAW Output
14-bit RAW image data of extremely high quality is outputted by the Alpha a7R. This data preserves the rich detail generated by the image sensor during the 14-bit A/D conversion process. When developed with Sony’s Image Data Converter RAW development software, these images deliver particularly high quality photographic expression and rich gradation.

Wired Remote Control with Video Capture Control
Remote Camera Control allows you to control your Alpha a7R from your computer using a USB cable. It has been updated to include video capture control.

Multi-Interface Shoe
The Alpha a7R features the advanced Multi-Interface Shoe that dramatically expands compatibility with Sony digital imaging accessories such as flash units, microphones, lights, and monitors thus increasing the potential of your photo and movie shooting.

 

Similar Comparison Sample Photos

I took a lot of sample photos and below are a bunch w/100 Crops so you can see a better quality version than the video provides.

The Sony A7 vs the A7r – High ISO – Raw Quality

Full Lab Scenes first @ 25600

Sony A7r

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 25600

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – Lab Testing – ISO 25600

Sony A7

Sony A7 - ISO Testing - Raw Quality - ISO 25600

Sony A7 – ISO Testing – Raw Quality – ISO 25600

Note: The 36mp Sony A7r has a noticeable purple color cast that the 24mp A7 does not suffer from near as much. However, the ambient lighting was significantly different in these comparison images. The detail and color rendition is about the same otherwise in my opinion. Judge for yourself via the 100% crops below from each camera

High ISO – Lab Shots – Click Photos!

ISO Sony A7r @ f/1.8
Sony A7 @ f/5.6
25600 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 25600 Sony A7 - ISO Testing - Raw Qaulity - ISO 25600
25600 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 25600 Sony A7 - ISO Testing - Raw Quality - ISO 25600
25600 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 25600 Sony A7 - ISO Testing - Raw Qaulity - ISO 25600
12800 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 12800 Sony A7 - ISO Testing - Raw Quality - ISO 12800
12800 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - ISO 12800 Sony A7 - ISO Testing - Raw Qaulity - ISO 12800
 

The Sony A7 vs the A7r – Same Scene Same Lens – Raw Quality

Using the Metabones III and Canon EF 24-105mm f/4 L IS Lens for these comparison test shots. Raw quality with no enhancements.

 36mp Sony A7r first:

Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held

Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held

Sony A7r 100% Crops – Click Photos!

Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held
 

24mp S0ny A7

Sony A7 w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held

Sony A7 w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held

Sony A7 100% Crops – Click Photos!

Sony A7 w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held Sony A7 w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/5.6, ISO 100, Hand-held
 

Sony A7r w/ Zeiss 55mm f/1.8 lens @ f/4

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/4, ISO 100, 1/2500sec, Raw Quality, Hand-held

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/4, ISO 100, 1/2500sec, Raw Quality, Hand-held

100% Crops – Sony A7r W/ Zeiss Lens – Click Photos

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/4, ISO 100, 1/2500sec, Raw Quality, Hand-held Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/4, ISO 100, 1/2500sec, Raw Quality, Hand-held
 

More Sony A7r Sample Photos

Enough of the comparison photos, let’s check out some high res Sony A7r photos shall we…

Sony A7r w/ Zeiss 55mm f/1.8 Lens – Lab

Aperture testing in the Lab, f/1.8 – f/16 w/ 100% crops so you can see how the depth of field and bokeh render with the 55mm f/1.8 Zeiss and 36mp full frame A7r. I’ll let you be the judge, but I must say the A7r is noticeably sharper than the A7 when using my Canon L Glass. The lack of AA filter makes a noticeable difference, especially with the increased resolution. Using the Zeiss 55mm f/1.8 lens the A7r is extremely sharp!

Here is the full Lab scene @ f/1.8 – Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/1.8

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – Lab Testing – F/1.8

100% Crops – Click Thumbnails!

Focus Area Circuit Board Detail Bokeh and Lights
f/1.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/1.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/1.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/1.8
f/2.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/2.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/2.8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/2.8
f/4 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/4 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/4 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/4
f/5.6 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/5.6 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/5.6 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens - Lab Testing - F/5.6
f/8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/8 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/8
f/11 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/11 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/11 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/11
f/16 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/16 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/16 Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Lab Testing - F/16
 

Sony A7r w/ Zeiss 55mm f/1.8 Lens – Real World

I took a ton of sample photos and went for the real world angle as much as possible. We have lots of snow in NY these days, so the dynamic range was put to the test big time!

First a quick town monument shot wide open at f/1.8.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/1.8, ISO 100, 1/3200sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/1.8, ISO 100, 1/3200sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/1.8, ISO 100, 1/3200sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/1.8, ISO 100, 1/3200sec, Raw Quality

Next, some burnt wood was getting a sun tan in the cold early morning light. I could not help but grab several shots just to see how much detail the A7r and 55mm Zeiss lens combo could actualy capture.

f/1.8 vs f/2.8 Bokeh Test

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/1.8, ISO 100, 1/800sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/1.8, ISO 100, 1/800sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/1.8, ISO 100, 1/800sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/1.8, ISO 100, 1/800sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 100, 1/400sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 100, 1/400sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 100, 1/400sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 100, 1/400sec, Raw Quality

As you can see, the full frame format and 55mm f/1.8 aperture Zeiss lens make an amazing combination in both detail and separation.

 

More burnt wood w/ 100% Crops. Insane detail and sharpness captured in my opinion.

Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/4, ISO 100, 1/20sec, Raw, Hand-held

Sony A7r w/ Metabones III, Canon EF 24-105mm f/4 L IS Lens @ F/4, ISO 100, 1/20sec, Raw, Hand-held

100% Crops – Click Photos

100% Crop 100% Crop
 

I came across this scene taking some back road. The contrasting colors and composition caught my eye.

Be sure to Click the Photos for the ~1200px Versions!

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/4, ISO 100, 1/1600sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/4, ISO 100, 1/1600sec, Raw Quality

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/4, ISO 100, 1/1600sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/4, ISO 100, 1/1600sec, Raw Quality

 

Some old metal  radiators offers a lot of detail.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/260sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/260sec, Raw Quality

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/260sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/260sec, Raw Quality

The pattern on this guy must have been hard to make back in the day I bet. I believe these were molded with caste iron.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/200sec, Raw Quality

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/200sec, Raw Quality

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/200sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/200sec, Raw Quality

Here is a gate that was rusting away with paint flaking off. I love stuff like this and I was at the minimum focusing distance using f/8 for this particular frame. The shutter speed was also only 1/60sec but I was still able to get a sharp shot. I thought I might have to raise the ISO, but was happy enough with the result.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/8, ISO 800, 1/60sec, Raw Quality, Hand-held

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/8, ISO 800, 1/60sec, Raw Quality, Hand-held

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/8, ISO 800, 1/60sec, Raw Quality, Hand-held

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/8, ISO 800, 1/60sec, Raw Quality, Hand-held

 

Here is another street shot and the detail captured in the sign is incredible. The separation is also excellent considering my distance from the sign @ f/2.8. Full frame is the bomb 😉

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/640sec, Raw Quality, Hand-held

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/640sec, Raw Quality, Hand-held

Be sure to Click the Photos for the ~1200px Versions!

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/640sec, Raw Quality, Hand-held

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/640sec, Raw Quality, Hand-held

I added a little contrast and vibrancy to this next photo in Lightroom 5.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 400, 1/400sec, Raw Quality, Hand-held

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 400, 1/400sec, Raw Quality, Hand-held

 

Some friends came over and I took this photo with natural window light and did a basic bw conversion in Lightroom 5.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 640, 1/640sec, Raw Quality - BW Conversion

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 640, 1/640sec, Raw Quality – BW Conversion

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - @ f/2.8, ISO 640, 1/640sec, Raw Quality - BW Conversion

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – @ f/2.8, ISO 640, 1/640sec, Raw Quality – BW Conversion

 

Jpeg Quality self portrait taken with the remote control App via my iPhone. Works awesome!

Sony A7r w/ 55mm f/1.8 Zeiss Lens @ F/1.8, ISO 800, 1/60sec, Jpeg

Sony A7r w/ 55mm f/1.8 Zeiss Lens @ F/1.8, ISO 800, 1/60sec, Jpeg

100% Crop - Sony A7r w/ 55mm f/1.8 Zeiss Lens @ F/1.8, ISO 800, 1/60sec, Jpeg

100% Crop – Sony A7r w/ 55mm f/1.8 Zeiss Lens @ F/1.8, ISO 800, 1/60sec, Jpeg

 

Sony A7r w/ Zeiss 55mm f/1.8 Lens – Studio Photography

Layla was a kind enough to go in front of the camera for me in the studio and the image quality speaks for it self, although a little bit hot exposure wise which is my fault, not the camera.

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens @ f/5.6 1/160sec, ISO 100, Raw Quality, Studio Lighting

Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens @ f/5.6 1/160sec, ISO 100, Raw Quality, Studio Lighting

Click 100% Crop Photos for the ~1200px Crisper Versions!

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Studio Lighting @ f/5.6, ISO 100, 1/160sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – Studio Lighting @ f/5.6, ISO 100, 1/160sec, Raw Quality

100% Crop - Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens  - Studio Lighting @ f/5.6, ISO 100, 1/160sec, Raw Quality

100% Crop – Sony A7r w/ E-Mount Zeiss 55mm f/1.8 lens – Studio Lighting @ f/5.6, ISO 100, 1/160sec, Raw Quality

 

Sony A7r w/ 17-40mm f/4 l lens and Metabones III Electronic Lens Adapter

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens

I showed a lot of photos in the video and the Creepy House photos have their own dedicated article this way (Click Here).

Below are a few of my other favorites from the video w/100% crops so you can see the per pixel detail for yourself. I also edited a few more HDR photos and will be creating a video tutorial using the A7r to show exactly how it’s done from start to finish. Stay tuned for that!

Abandoned houses and hotel grounds

I added a little contrast and vibrancy in Lightroom 5 to the raw file.

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/1600sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/1600sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/1600sec

100% Crop – Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 28mm, f/8, ISO 400, 1/1600sec

Some huge tanks that were across the street from the house above.

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/100sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm f/8, ISO 400, 1/100sec

Directly above these tanks was the old foundation to a pool. Check it out and the old hotel in the background.

Click Photos for the ~1200px Crisper Versions!

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/800sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 400, 1/800sec

100% Crop – Click Photos

Focus point here: Corner clarity is not bad for f/8 @ 17mm!
Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/800sec Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ f/8, ISO 400, 1/800sec

On last building that had some nice vertical and horizontal line.

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 40mm, f/8, ISO 400, 1/800sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 40mm, f/8, ISO 400, 1/800sec

 

Some old buildings:

I added a medium tone curve for contrast and a little clarity, vibrancy, and sharpness to these next few raw quality photos.

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/5.6, ISO 400, 1/125sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/5.6, ISO 400, 1/125sec

Click Photos for the ~1200px Crisper Versions!

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/200sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/200sec

100% Crop – Click Photos

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/200sec Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/200sec
Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/160sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/160sec

Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/160sec

100% Crop – Sony A7r w/ Metabones III, Canon EF 17-40 f/4 L Lens @ 17mm, f/8, ISO 1000, 1/160sec

 

Abandoned Train Cars:

I found these incredible old train cars a few years ago and have been meaning to stop back ever since, but it’s not exactly near where I live. In any event, check out these shots starting with what you see from the road. It was snowing really hard and the weather sealing did it’s job 😉

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/8, 40mm, 1/640sec, ISO 1000, Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/8, 40mm, 1/640sec, ISO 1000, Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/8, 40mm, 1/640sec, ISO 1000, Raw

100% Crop – Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/8, 40mm, 1/640sec, ISO 1000, Raw

Here is what it looks like inside the first car. I have several other frames of this scene, and this first image is the 0 exposure raw file totally UN-touched.

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, 17mm, ISO 800, Tripod - Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, 17mm, ISO 800, Tripod – Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, 17mm, ISO 800, Tripod - Raw

100% Crop – Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, 17mm, ISO 800, Tripod – Raw

This next HDR Photograph is a blend of the -2,0, and +2 exposure’s using Photomatix pro 4 for the processing.

Click Photos for the ~1200px Crisper Versions!

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, HDR, 17mm, ISO 800, Tripod

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, HDR, 17mm, ISO 800, Tripod

This next photo is the fully edited HDR image using all sorts of filters and editing techniques.

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, HDR, 17mm, ISO 800, Tripod

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/11, HDR, 17mm, ISO 800, Tripod

A few more shots from inside the train car that I enhanced in Lightroom 5 a little bit. First the luggage rack.

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 17mm, 1/30sec, ISO 1600, Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 17mm, 1/30sec, ISO 1600, Raw

The door in the back looking into the next car.

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 17mm, 1/60sec, ISO 1600, Raw

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 17mm, 1/60sec, ISO 1600, Raw

And the next train car enhanced with Lightroom 5 and the Nik Filters a bit.

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 1/60sec, 17mm, ISO 1600, Hand-Held

Sony A7r w/ Metabones III, Canon EF 17-40 F/4 L Lens @ F/4, 1/60sec, 17mm, ISO 1600, Hand-Held

 

“Shutter Shake” Testing

_Gitzo-Series-1-Center-Ball-HeadAfter extensive testing using my very sturdy 22lb rated Gitzo Ball Head and Manfrotto tri-pod, plus the 55-210mm e-mount lens. I concluded that all the test photos are all sharp.

I have the 100% Crops to show you below all taken at 210mm. I tried the lab scene and a flower picture with various shutter speeds ranging from 1/6th all the way to 1/25sec and everything looks good to me. The lens is not near as sharp as the 55mm zeiss that I used for the review, but it’s still pretty darn good in my opinion. So, if your tri-pod is very sturdy, and your lens is not sloppy or loose, then the extra shutter shake on the A7r will not be an issue in my opinion. A sturdy tri-pod is much heavier unfortunately, but for a really long lens with no OSS, it is required for slow shutter speeds.

Check these un-edited raw files out to see for yourself what I got while testing for shutter shake.

1/13sec, 210mm, ISO 3200, 10 second self timer used Raw Quality!

Click Photos for larger ~1200px versions!

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/13sec, ISO 3200, Tri-pod

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/13sec, ISO 3200, Tri-pod

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/13sec, ISO 3200, Tri-pod

100% Crop – Sony A7r w/ 55-210mm @ 210mm, f/8, 1/13sec, ISO 3200, Tri-pod

In order to test the slightly higher 1/25sec shutter speed I needed to raise the ISO even more, because the lens is fairly slow fully zoomed at 210mm = f/6.3.

1/25sec @ 210mm, f/6.3, ISO 4000

Sony A7r w/ 55-210mm @ 210mm, f/6.3, 1/25sec, ISO 4000, Tri-pod

Sony A7r w/ 55-210mm @ 210mm, f/6.3, 1/25sec, ISO 4000, Tri-pod

The 100% Crop looks good to me for this lens @ ISO 4000.

Sony A7r w/ 55-210mm @ 210mm, f/6.3, 1/25sec, ISO 4000, Tri-pod

100% Crop – Sony A7r w/ 55-210mm @ 210mm, f/6.3, 1/25sec, ISO 4000, Tri-pod

A slightly slower shutter speed but the shake should still be an issue if an issue.

1/10sec @ 210mm

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/10sec, ISO 3200, Tri-pod

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/10sec, ISO 3200, Tri-pod

Sony A7r w/ 55-210mm @ 210mm, f/8, 1/10sec, ISO 3200, Tri-pod

100% Crop – Sony A7r w/ 55-210mm @ 210mm, f/8, 1/10sec, ISO 3200, Tri-pod

The 100% Crops look good to me for the (sel55210) e-mount lens @ 210mm, but it’s very easy to get camera shake with this lens. Especially at 210mm. The shutter on the Sony A7r is heavy compared to the Nex-6. Full frame and 36mp resolution will also point out every flaw on a lens or camera shake etc… Practice makes perfect, and when you can, get the shutter speed a little faster if possible 😉

 

Conclusions:

The Sony Alpha A7r is the best mirrorless camera I have ever used to date. It’s also the best image quality I’ve ever tested or used personally. I’m very impressed with the detail and sharpness of both the 36mp sensor and killer FE 55mm f/1.8 Zeiss lens. I wish it had OSS built in, but what are you going to do. The f/4 Zeiss zoom would be a better option if you prefer to hand hold at lower shutter speeds.

While hand holding with the 55mm Zeiss lens I was not able to use Auto ISO on the A7r the whole time. Depending on the light the camera set the shutter speed to 1/60sec while using auto ISO and that was not fast enough for a sharp shot with this camera and lens combo hand holding. At least for me anyway and I have pretty steady hands normally. I had to raise the shutter speed up to around 1/100 sec and I was now getting sharp shots every time.

Camera Performance:

The A7r is a little bit slower than the A7 when it comes to response time I noticed. The ISO for example which is by default the wheel on the back of the camera, would not respond while writing to the memory card. I put in a faster card and it still did the same thing. It’s not that big of a deal, but if you need to change the ISO and the camera buffer is maxed out, you will have to wait. This needs to be addressed in a firmware update in my opinion, but for everyday use it’s really not a big deal at all in my opinion.

Auto focus was fast and accurate almost every time. I did not find the A7r to be slower than the A7 in any situation I tried. It’s hard to say 100% without trying both cameras at the same time with the same exact lens though. With the 55mm Zeiss the Sony A7r AF performance was excellent in my opinion. The Sony cameras just know where to focus most of the time, and with the flexible spot AF, it’s really easy to dial it in without moving the camera.

Updated testing done with 55-210mm (sel55210), see above for photos! I did not find any shutter shake issue when using a tri-pod in the lab. With slow shutter speeds the shots came out tack sharp. Perhaps with a cheap tri-pod the results might be less consistent. I really don’t think this is much of an issue as long as you have the correct shutter speed for the lens you are using.

Recommendations:

I highly recommend the Sony A7r for anybody looking for the best full frame image quality and amazing versatility via lens adapters. It’s also small, well made, and light weight all in a package for those looking to ditch the heavy Awkward DSLR. The A7r works great with my two Canon lenses I used. It also works well with many other lenses I’ve seen on google plus and other websites.

If you are a wedding photographer the Sony A7r will do the job, but I would not recommend it over the Pro A-Mount SLT-A99. Pro batteries, lightning fast focus speeds, much larger buffer sizes, beefier build quality with better weather sealing and ergonomics for larger faster lenses are better for that style of photography. Same with sports for that matter. This is not to say the A7 or A7r can’t do these things, because they are more than capable. These cameras would make for a great second camera or even back-up as the IQ can’t be beat.

If you are a portrait shooter the Sony A7r is a great option as I had very good results in the studio with only a few test snapshots. The new Eye AF feature also works great and makes getting the eye you need in focus a breeze.

Landscape shooters are going to love the Sony A7r in my opinion. Tack sharp highly detailed results with deep rich color tones and gradients.

Street shooters might prefer a camera with a quieter shutter, and the A7 has that option over the A7r. The A7r shutter is really not that loud though, in my opinion, and would otherwise do a great job for the street in my opinion.

Sony A7r w/ HVL-F20M Flash Unit

Sony A7r w/ HVL-F20M Flash Unit

Having no built in flash unit, the Sony A7r does require an an accessory flash. I recommend considering the affordable and compact FVL-F20M unit. I wrote an article using the FVL-F20M Flash Unit with the Sony A7r (Click Here) , and I explain the different options plus show several sample photos illustrating the output quality. An even better option is the the FVL-F60M flash which comes as a kit with the Sony A7r, and Zeiss lens of your choice (Click Here for A7r Kits w/ Links!) The flv-f60m has a video light and much more power than the f20m, plus a faster recycle time for serious pro use. It is also much larger though as you would expect.

The Zeiss 24-70mm f/4 OSS zoom lens is highly recommended for an all in one lens solution. Having the OSS will make hand holding at lower shutter speeds very easy, and the zoom versatility will cover almost all your photography needs. I will review the lens at some point, but not this time around. Current reviews rave about the lens, so it looks killer as you would expect from Sony and Zeiss.

I did not spend any time on the video, because the A7 is pretty much the same in that regard based on my focus tests and moire patterns. Bottom line, video performance is about the same as the A7 in my opinion.

 

That is about it for my Sony Alpha A7r review, and I really hope you got everything you needed out of it. Comments, questions, and feedback for improvement are always welcomed, appreciate, and encouraged 😉

Thanks for your support by using the affiliate links if you decide to purchase something, and have a great day,

Jay


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About the Author

Jay
Hello, I'm the owner and operator of SonyAlphaLab.com. Please check out the About page for a full background on myself and the Lab ;) Google+ | Twitter | RSS-feed | Email Updates!!